In the process of exploring the rise of the demagogue, the film makes his thuggery and rank bigotry seem normal. The film is divided into chapters, and the one on the formation of Shiv Sena in 1966 is titled “Sunrise”.
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Democracy is overrated, and autocracy is a fine thing.Īs Thackeray graduates from Free Press Journal cartoonist to state-level rabble rouser, he leaves behind a trail of violence, one that fundamentally reshaped the city then known as Bombay but is presented here as a necessary consequence of the alleged discrimination against Marathi speakers.
Violence is an acceptable – and indeed the best – mode of protest. The list is short: Maharashtra belongs to Marathi speakers. The project has been produced by Shiv Sena Member of Parliament Sanjay Raut, and is an audio-visual extension of the Sena’s official newspaper Saamna, of which Raut is executive editor.Ībhijit Panse’s feature-length screed is set between the between the late 1960s and the mid-’90s, and covers every aspect of the Right-wing party’s foundational values. Subtlety, or, for that matter, reason, are hardly to be expected from Thackeray, a 139-minute propaganda video for the Shiv Sena as it gears up for the Lok Sabha election later this year. As the credits roll at the end of Thackeray, it is clear that this movie could not have been made without the help of these accursed outsiders, just like Mumbai could not have flourished without its migrants. When Thackeray began his satirical weekly Marmik in the 1960s, he would publish lists of “outsiders” who were allegedly flooding Mumbai and denying Marathi-speaking natives employment. Nawazuddin Siddiqui from Uttar Pradesh plays Thackeray, Amrita Rao with roots in North Karnataka his wife Meena, and a host of non-Maharashtrians speakers fills the credits. The biggest irony is in the casting and in the fact that the movie about a nativist champion has been made in Hindi as well as in Marathi. But since Kondke is a Marathi, all is good in the universe as imagined by the Shiv Sena. Of course, Kondke’s sexual innuendo-charged films wouldn’t meet the moralistic standard that the Sena otherwise advocate. They ensure that Dev Anand-starrer Tere Mere Sapne is replaced by Dada Kondke’s Songadya. In one scene, furious that cinemas in Mumbai are not screening Marathi films but instead privileging “cheap” Hindi productions, members of the Shiv Sena party get to work.
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